Sunday, October 30, 2016

FRIESEKE, Frederick Carl Lady in a Garden 1912


Following the Tokaido Road Visiting Odawara 1804


Ferdinand Hodler (Swiss, 1853-1918), Bachlandschaft [Landscape with stream]. Oil on canvas, 54.5 x 37 cm.


Etain, Helen, Medb and Fand, Harry Clarke, stained glass, c. 1900.


Eric Gill


Edward Vuillard- Madame Vuillard at the Hotel,1913


Edvard Munch (1863–1944), Train Smoke, 1900.


Eduardo Malta, Self-Portrait (1935)


Édouard Manet (French, 1832-1883), Portrait of a Lady, c. 1879. Oil on wood, 14.9 x 11.4 cm.


Early Morning After a Storm at Sea - Winslow Homer , 1900-03


Country Lane, Boitsfort, Ivan Pavlovich Pokhitonov


Compartment Car #293, 1938 – Art by Edward Hopper.


Claude Monet (French, 1840-1926)


Claude Monet - Boulevard du Capucines, 1874.


Charles I in Three Positions (detail) Anthony Van Dyck.


Charles and Georges Durand Ruel by Pierre-Auguste Renoir


Camille Pissarro - Le Boulevard de Montmartre, Matinée de Printemps (1897)


Ballet Dancers on the Stage by: Edgar Degas


Arthur Hughes (1832–1915)- The Guarded Bower. Date c.1864–1866


Andre Derain, Port de Peche, Collioure (1905)


…”there is nothing new in art…


“Lonely Bicycle” by Leonid Afremov


Thursday, October 20, 2016

Zuiderkerk in Amsterdam (1874) by Claude Monet


Wilhelm von Diez (1839-1907) - St George, pencil-ink-gouache-watercolor, 26,3 x 13,1 cm.


White cottages at Saintes-Maries - Vincent van Gogh


Vincent van Gogh, Autumn Landscape, 1890, oil on canvas


The Zeedijk in Amsterdam - Gerard Johan Staller


Max Kurzweil, The wife of the artist, 1912


Gala evening in Moscow Philharmonic Hall - Alexander Samokhvalov 1950


Francois Alfred Delobbe

François-Alfred Delobbe
PARIS 1835 - 1920 PARIS
JEUNE MÈRE ET SON ENFANT
FRANÇOIS-ALFRED DELOBBE ; YOUNG MOTHER WITH HER CHILD ; SIGNED UPPER LEFT ; OIL ON CANVAS
Signé en haut à gauche A. Delobbe
A student of William Bouguereau, Delobbe begins at the Salon of 1861 and there are regularly exhibited portraits, genre scenes and animated landscapes. Female subjects, painted in a precise and porcelainée inspired his master technique, are frequent in his work. The Collins-Naylor sale on 1 and 2 February 1905, presents a picture of the same subject, the young mother, perhaps our table.